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Underground is not a tourism company

This article appears in media partnership with the Sino-German cultural network -cn.net . Martina Bölck reports of filmmakers and the diversity of the independent scene in China.

one day received the Kiel Independent filmmakers Karsten Weber an email from China. It came from Kun Ni (倪 昆), a young curator of the independent film scene, he invited Weber and his group of movie chaos to China. In 2006, she moved as a flash movie for the first time with a colorful mixture of German films by universities and festivals. More tours followed. The German filmmaker, who had nothing to do until then with China, were surprised by the diversity of the independent scene, from the interest of the public and the open spaces outside of government censorship. Your China Image wavered.

This experience was about to give Weber. He invited Kun Ni u nd some filmmakers a return visit. In Hamburg, the festival China Underground - The critical view from the bottom of 16 to 19 September as part of China Time to see 2010th Other stops are Kiel, Husum and Heidelberg.

"China is not monolithic," Weber pointed out. "What we learn in the media like this is only a small part." He wants to show things, "do not fit into this picture. The program is diverse: movies, documentaries, short films, television documentaries and a classic from 1961 as a gimmick, the red army wife, alienated by live electronic music. The central theme of the festival is to show Chinese productions, reflecting the interaction between underground and official media and government policy.

interaction between media and society

are also Chinese state media - for economic reasons - to find new themes. Some broadcasters lay press cameras in hand, they migrate through the city in search of sensations, which they can later use to sell the station. The opening film of Disorder Huang Weikai (黄伟凯) shows a montage of these amateur films. We see car accidents, flooded streets, arresting criminals, cockroaches in restaurants ... Several police officers are trying to get the Chaos Lord, but you do not have the Impression that they succeed.

although there is state censorship authority replied that the film-maker Bang Wang (王 梆) on the question of censorship, but many independent films there would not even submitted. Even films that fell through the censorship could be shown at independent festivals and universities. She has ventured with University City Savages on a sensitive issue: The film documents the struggle of peasants against the compulsory purchase and demolition of their village, which will give way to a college campus. may have

What influence the media to such stories, the film The Nail of Jiang Zhi (蒋志): In downtown Chongqing, a couple fights against the demolition of his house without adequate compensation. The image of the house, isolated in the middle of a pit, go through the media, the homeowners become stars and get as much response from the public that the construction company must give in eventually.

Other films depict stories behind the news: To Live is Better Than to Die by Chen Weijun (陈 为 军) was shot in a village where many residents who wanted to make blood donations a little money contracted the disease through poor hygiene measures with HIV. The film follows a family in which up to the oldest daughter are all infected. The mother is already ill, they died while still the shooting. The father takes good care of the three small children and trying to get up everyday life. You can see his joy at the first steps of the little boy, knowing that this will hardly reach the fourth year.

After the earthquake in May 2008 in Sichuan were made serious allegations against cadres who are said to have saved on construction materials for schools, thereby causing the deaths of thousands of children. The film of Mayday Zhandong Ma (马 占 冬) shows a couple who lost his only son in the collapse of a school. By the way one learns a lot about what a tremendous talent for improvisation with people after a disaster to their everyday rebuild.

China images between multiculturalism and social Tristesse

Au s is the frame of the movie The Rat Trap and the Rose of Bang Wang (王 梆). In still images, they can arriviertes a French couple with marital problems, her Chinese maid who dreams of a life in the U.S., and take an illegal immigrant from Congo to each other. A new multicultural China in which foreigners are not automatically rich.

Weber wants to show how critical and open in China nowadays movies are made, "what bright and courageous people are there." He has a constant feeling explain and justify the need. "Some people respond really upset when they take their image of China."

And yet, not so new, the image conveyed by the most movies. It is a China in transition, with a difficult past and social problems, desolate, with high-rise buildings, highway bridges and uprooted people. Pictures of the dull city life and the losers of the recovery came at the beginning of the zero years in the German cinema, as a new generation of directors that took the festival abroad.

"Why do you show so many negative things about China," asks a Chinese woman from the audience. "Because they are true," responds Kun Ni (倪 昆). "There are positive things that are true," she added.

the end, one has the impression that in China there is an interesting counter-culture. But China, which they say is not exactly welcoming. Underground is just not a holiday company.

"You must not forget," says Ma Zhandong (马占 冬) "that the movies you see here represent only a small part of reality. If you want to really get to know China, you should go there. "

flash movie is in any case in November again will travel to China, with many new films luggage to Germany's image the Chinese to mess up.

Text: Martina Bölck
author, Hamburg
October 2010

Related Links
website BLITZ FILM
The original

image sources:
cut poster "China Underground" © flash movie
in the foyer of the cinema: From left to right: Cheng Le (陈 乐), Karsten Weber, Martina Stache, Sun Xiao Yun (孙晓筠), Hu Qing (胡 晴), Ma Zhandong (马占 冬), Ni Kun (倪 昆), photo: Martina Bölck
poster " China Underground "© flash movie

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"China: A country with a thousand facets" - first-hand Olympic champion Britta Heidemann Interview

This year's cultural ambassador Britta Heidemann said in an interview with the Expo Lingua Berlin on their experiences with the Chinese culture, what makes China so fascinating and what hurdles must be overcome in learning the Chinese language.

Chinese language is a guest at this year Expo Lingua Berlin 2010. Mrs. Heidemann, you were already as a teenager for a school trip to China, studied Regional Studies (China) and are also athletic in the country of the middle road. What has intrigued then to China and what you see today still impressive?

China is a country with a thousand facets - who rumreist in China, finds out that there are not only many different topographical and climatic events, but also all other foods, other lifestyles and living conditions, other people. Particularly impressed us find the fascinating language of this ancient culture, which naturally also today still gives the children.

How would you describe the Chinese language? What is special about the Chinese?

In reading Chinese texts I have to always think of crossword puzzles. Since there are no spaces, you have to figure out yourself where one word ends and the next begins. The language I have always found very melodic, I like the different pitches. Good for us Germans in learning the Chinese is that the debate is pretty good, although one may suspect not.

As an athlete you travel a lot in different countries on the road and get to know people from different cultural backgrounds. How do you rate the importance of language skills?

For me, language is the basis for all communication. Among us athletes, we have only one chance to experience what life looks like a Russian or Chinese athlete, if they speak some English can. Otherwise one can not learn from the other, he does what he thinks. Luckily I was able to speak by the early Chinese with my Chinese colleagues have so gain an insight into Chinese thinking. Whole issue of language also has the advantage that you get more confidence and we met with initial barriers can therefore skip.

How do you learn languages themselves? Do you have recommendations for our visitors?

I always like to look at the grammar, it is the foundation for every language. If I understand the need to fill up the rest only with words. This has worked very well. Otherwise: talking talking talking.

May function of sports as a bridge between different cultures?

Sport unites different peoples in the wider sense in a very special way. In combat or on the pitch count only the sporting rules, since there are no political, religious or cultural barriers. Sport is not a question of nationality, and this is a wonderful thing.

Mrs. Heidemann, thank you for this interview

Source: Ulrich Hartmann

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CHECK LIST COMICAST # 45: Solicitations November 2010

After a long, long creative break to report Hobie, Henning and Lamond returned with a Solicitations episode. Haut rein!

CHECK LIST COMICAST EPISODE # 45: November Solicitations # 45

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China, Part II - Language and Culture

"With each new experience I'm in China is growing my fascination for this country and its language. " learned in the first part of the interview with the student Pilar Czoske us more about the background of their stay in the country in the middle. Today Pilar talks about her experience with the Chinese language.

What makes China so special in their eyes?

Gradually I was able to immerse themselves in the culture and language of China. That starts with getting to know the daily life, eating habits and family values and to witness. It continues with the Chinese language to capture the complex character world and the active learning of the language by listening and talking. But The contrasts are what fascinate - very modern buildings, an almost futuristic cityscape to small side streets in the scents of street food, clothes lines, craft shops and the voices of children and old people who join a table and play board games.

What are your experiences with the Chinese language?

I think if you bring joy and curiosity to explore the world of the characters, the Chinese is at least more exciting and challenging. My personal experience is that you should have a lot of perseverance and patience to learn this language step by step. Above all, we must to the expectations of themselves, speak Chinese well after one year. There is the understanding, speaking and writing and finally reading - all of these areas are to learn in different ways. If one focuses only on such as listening and speaking, this does not mean that you can also write Chinese. If one, however the focus on learning the script and sentence structure, this does not mean that you can talk in everyday life.

What is easy for the use of Chinese language? What is more difficult?

When trains are listening, you have already won. The language but to really learn the Chinese culture and "comprehensive" to know, but it is my opinion, most important, to be able to read and write. Then again open many doors to understanding China and its ways of thinking or simply perceive it differently. Nevertheless, I think that I see the world's largest sign is to manage. I often forget the characters or different combinations again a new meaning that can be understood only in the context of the whole sentence. It's complicated and sometimes exhausting.